READER — CALM STATE
Chrome at rest: a 54px rail, a hairline status strip, and the annotation margin. No toolbar over the page, no floating buttons. The narrow strip between page and margin is the connection gutter — one tick per anchored thing, positioned at the depth it refers to, so the page can tell you it is already wired into your vault without a single badge on the text.
SELECTION — THREE ACTIONS, NO DIALOG
The popover appears at the selection and nowhere else. Question is the default action and takes the Return key; the other two need a letter. Provenance is already written along the bottom of the popover before you type — source, page, highlight id, position — so capture is one keystroke to open, one to commit.
CONNECTIONS — WHAT THIS PAPER ALREADY TOUCHES
⌘⇧C replaces the margin with the tie-back panel. Nothing about it interrupts the page: the text does not reflow, no inline badges appear, and the connection gutter's ticks are the only trace while it is closed.
iPAD — FULL SCREEN, PENCIL AND TOUCH
1366×1024. The same app, not a reduced one: the margin becomes a swipe-in sheet, every control is at least 44pt, and the pencil palette sits under the hand rather than in a toolbar. Selection is a long-press or a pencil double-tap; the three actions become 56pt rows so they can be hit without looking. Capture from the pencil writes exactly the same file as ⌘'.
INGEST REVIEW — A PDF COMES BACK FROM THE TABLET
Phase 1: the file is annotated in Preview on iPadOS and syncs back through the vault folder. The app re-derives every annotation's identity from its quoted text and geometry, which can fail — so the review is organised by confidence, not by page. Nothing is written until the bottom row is empty.
THE DESK — TABLET READS, MAC ANSWERS
How the two halves are actually used at the same time, and where a question goes between them.